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Film Siksa Kubur sebagai Medium Diskursus Sosial-Agama: Menimbang Representasi dan Memaknai Kritik

Mahmud Muzaki Nurul Amin, Mansur Hidayat

Abstract

Artikel ini menyoroti peran film sebagai jembatan antara keyakinan religius dan realitas sosial, menggunakan Model Analisis Isi Krippendorff pada film Siksa Kubur karya Joko Anwar. Melalui delapan tahap, penelitian ini mengeksplorasi simbolisme visual, struktur narasi, dan pengembangan karakter yang memadukan horor psikologis dengan kritik sosial-agama. Wawancara dengan penonton menemukan bahwa kuburan dan ritual keagamaan tidak hanya memancing respons estetika, melainkan juga memunculkan diskusi reflektif tentang benturan antara doktrin religius dan kehidupan sehari-hari. Genre horor psikologis berperan memperkuat makna, mengungkap trauma individu dan konflik moral secara mendalam. Pergulatan batin protagonis, yang meragukan ajaran agama karena luka pribadi, menonjolkan relevansi iman dalam situasi modern. Dengan demikian, Siksa Kubur bukan sekadar tontonan, melainkan katalis diskursus mengenai cara agama merespons tantangan sosial. Studi ini menekankan potensi film sebagai mediator penting antara keyakinan religius dan dinamika masyarakat. Rekomendasi penelitian lanjutan difokuskan pada pendalaman penggunaan horor sebagai sarana kritik sosial yang lebih luas dan beragam konteks

Keywords

Diskursus Sosial, Analisis Isi, Horor Psikologis, Dogma Keagamaan, Transformasi Keagamaan

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Full Text: PDF (Bahasa Indonesia)

DOI: 10.21043/at-tabsyir.v11i2.30488